Graphics carry the opening
The first sentence names three things. Instead of three labels fading over the presenter, the frame becomes three numbered cards while the presenter stays as a small inset.
AI Tutorial Video Editor
Turn one presenter take into an explainer: step markers, a diagram, a detail insert, a framing grid, a closing callout, and captions.
What each request changes
The first sentence names three things. Instead of three labels fading over the presenter, the frame becomes three numbered cards while the presenter stays as a small inset.
“Put the light in front of you, not behind” is a relationship, not a fact. The edit draws it: a light source, a person outline, and the wrong version beside it.
When the phone comes up, the frame cuts to the hand holding it. A detail from the same take, not stock footage and not a zoom on the wide shot.
“Keep the horizon on the top third line” is hard to picture. The frame becomes the presenter's own shot with a rule-of-thirds grid and the upper line highlighted.
The presenter returns with the conclusion, underscored once: gear matters less than light, framing, and audio. Captions run across the whole piece.
Source to result
Section behavior
A sentence that names three things becomes three cards, not three labels.
Direction and cause are easier to show than to say.
A cutaway reads as a shot; a zoom reads as a mistake.
Framing advice is invisible until the grid is drawn.
Tutorial workflow
An explanation is easier to follow when the visuals change with the sentence. Graphics can carry a list, the presenter can carry a demonstration, and a detail insert can carry a close-up.
Directions, comparisons, and cause and effect are hard to say in words. A two-state diagram makes the relationship visible while the presenter keeps talking.
A cutaway to the object being described reads as a deliberate shot, and it keeps the material honest because it comes from the same recording.
Framing advice is invisible until you draw it. A rule-of-thirds grid over the presenter's own shot shows the rule instead of describing it.
Word-timed captions make a tutorial usable without sound, and they stay editable so the text, timing, and style can be corrected later. Every layer, including the captions, stays separate and adjustable in the project.
How it works
Upload the recording. The original file is not cut or overwritten.
Say which sentence should carry graphics, a diagram, an insert, or a callout.
Check each added layer against the moment it is tied to.
Ask for a marker, a diagram, or a caption to be changed without rebuilding the edit.
Render the finished video, or keep editing. Every layer stays adjustable.
FAQ
Yes. Describe the changes and Captionate applies them as real layers on the timeline: step markers, a diagram, a B-roll insert, a grid, a callout, and captions.
It can cut mistakes, but that is not the point of this workflow. The source stays intact and the edit adds the information a viewer needs to follow the explanation.
Yes. Step markers, diagrams, grids, and callouts are added as editable layers keyframed to the spoken words.
A talking head edit makes a take feel edited. A tutorial edit makes an explanation easier to follow, which is why graphics, a diagram, and a B-roll insert carry most of the work.
Yes. The insert can be a detail from the same take, such as the object being discussed, so the explanation stays honest and no external footage is needed.
Yes. Captions stay a word-timed layer with editable text, timing, style, and position.
Describe the sections, add the graphics and captions, and keep every layer editable.